The project will be a year-long podcast series that will profile 6 current and former Black hip-hop artists whose work addresses themes of race, history, space and struggle.
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The More Collective is community, culture, and storytelling through healing. An unapologetic offering to honor the humanity and nuances of the black healing experience.
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In my project, I will promote asset-based narratives of Black youth through a self-published children’s book project celebrating Black urban culture and the beauty of Black family in all its configurations.
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My AFRE project has been to convert my academic publications on women in Marikana into a graphic novel.
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COVID-19 has had an unprecedented impact on the world. Artists, Black women in particular, have been hit a severe blow, as many creative projects including film shoots have been cancelled or postponed.
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The aim is to lift up the hidden role of black and brown women in the making of contemporary Africa.
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Its devastating to witness, participate in and imagine generations trapped in this abusive cycle of working in ways that are harmful, self-neglecting and self-betraying for illusions of success. Cultivating, reconnecting with ways of being that foster our deep wellness require deep listening. This project seeks to conjure up this space.
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The “Re-membering” experiment attempts to unearth; document and engage ways that POC communities give meaning to the trauma of ”dismemberment” and “intra-black violence” through shared experience of erasure, displacement and othering. The goal is to emerge co-created pilot model for “intra-black” healing, solidarity building and imaginative reconciliation in Cape Town
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The development of a feature length documentary recounting the ornate story of Mabel Cetu: South Africa’s first Black woman photo journalist, who lived and worked for seminal magazines, such as Zonk! Magazine, Drum and newspapers such as Golden City Post, in the 1950’s and 60’s.
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The Museum of Social Justice and Contemporary Activism (MSJ) is a national museum exclusively dedicated to exhibiting and incubating activism in the United States and beyond.
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My project involves analyzing narratives across institutions investing in “workforce development” in San Antonio, Texas, and developing the most powerful, sector-specific narratives for influencing the advancement of racial equity.
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I want to form a youth theatre company that will centre the use of indigenous oral storytelling (Izinganekwane, Inshimi and Intsomi) and performance forms as a way of knowledge-making and reflecting on the current issues in South Africa.
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Un/Settled is an ongoing documentary project exploring settler colonial histories, white peoples’ conceptions of belonging, and white privilege.
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To present, through a short documentary in South African Sign Language and a book, visual history of Black Deaf Elders who have contributed to the attainment of Democracy during the struggle against Apartheid in South Africa. Many of whom have passed and their tales and encounters have not been told.
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To support the dissolution of racism as a system, I work to enrol white people in the project of disinvesting in whiteness.
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Black Gem is documentary film that will document African refugees ‘journeys of resilience and rising over adversities. The film will highlight how Black men and women – young and old, disenfranchised and far away from home – hold it together while navigating complex, burdensome issues of being Black.
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